This is an often-repeated piece of advice for numerous people that sharing custody a canine companion after a breakup is a terrible idea. The consensus suggests such situations prevent ex-partners from finding closure, cause practical headaches, spark arguments, and are a nuisance for all parties. Seemingly, as a development worthy of a streaming movie, it also makes the canine in question to experience sadness.
While respecting the emotional well-being of animals – countless people speak of their deep emotional capacity. To witness a masterclass in dog sorrow, one need only look another performance. There is little doubt that a dog like Merv, a spirited little dog played by a talented dog named Gus, would have a hard time adapting to life in two homes. If this concept an entire Christmas romance around this situation is sustainable seems rather doubtful.Predictable Foundations
Fairness demands noting, Merv, crafted by its screenwriters and under the guidance of playwright Jessica Swale, doesn't pretend to be deeper than its premise. It functions as a holiday release from a corporate studio – the complexity are modest. Its storyline unfolds as straightforward: former spouses Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, confronting that their individual funk is matched by their dog's, embark on a therapeutic trip to a canine-centric retreat. At this location, predictably, they will surely realize the idea that they belong with each other. Side characters – played by a group of comedic actors – are crafted as the usual assortment of types. Its aesthetic has the quality of a platform's in-house production, with a holiday backdrop that is obviously artificial – as seen in flurries piled on verdant foliage as a warm climate stands in for a wintery Boston.
Where the Film Shines
Whether these familiar elements merge into something enjoyable rests upon the strength of the performances and one's taste for cinematic comfort food. Regarding the second aspect, Merv knows its audience – the kind who scroll endlessly for pet content. The film delivers a series of scenes focused on the pet. The primary selling point is Merv himself, and though it results in some clunky cuts between animal action and human reaction, the movie succeeds in showing walking sequences, canine sorrow, and, ultimately, doggie joy.
The Human Element
The same praise does not extend for the romantic plot. Its style vacillates between emotional depth, broad humor, formulaic romance, and physical comedy, never fully committing to a single genre. This is not Charlie Cox, who is willing to embrace the absurd and awkward inherent in the dog resort scenario. He brings a likable self-deprecation that provides much of the film's charm for this seemingly ideal couple. Zooey Deschanel, in her typical fashion, imparts a distinctive offbeat energy that will either resonate with viewers. Her Anna can feel a bit too dry, especially when contrasted against Cox's heartfelt sincerity. (On another note, Gus the Dog succeeds in acting depressed – not quite a canine thespian of that caliber, he's definitely an excellent dog.)
Merv tries to provide depth to the central romance for scenes without their pet – a bit of a pity, given that Merv is by far the best part of this film designed for charm. As one might predict, it achieves only baseline competence. The reason for their separation might seem more nuanced with greater exploration and fewer direct statements. In the end, Merv is gentle and pleasant, meeting every expected note. Making a film with this canine conflict isn't a bad idea – but I wouldn't call it a brilliant concept.
- Merv premieres on Amazon Prime Video starting December 10.
